Sunday, 27 May 2012

Art in Transit: Handbook for Packing and Transporting Paintings

Art in Transit: Handbook for Packing and Transporting Paintings by Mervin Richard
Marion F. Mecklenburg and Ross M. Merrill is available for free from the Smithsoninian Institute.



Marion F. Mecklenburg and Ross M. Merrill is available for free from the Smithsonian Institute.

Synopsis: This technically detailed Handbook focuses on different approaches and procedures that will enable museum specialists (packers, registrars, curators, and conservators) to effectively use the results of the research of specialists in the field.  It includes tips and techniques also of relevance to those transporting high value artwork.
Summary review:  If you’ve ever wanted a comprehensive document telling you what to do when packing and transporting artwork, this is a good place to start.

Although written for art galleries and museums, there’s a lot of information which will also assist the professional artist who is transporting valuable paintings.  Other artists will also find useful information in this large and comprehensive handbook.
Highlights
  • Accessible:
    • written in the language of lay people rather than art technologists / historians
    • bullet points unpack the processes into easy stages
    • key terms are highlighted in bold
    • lots of useful sub-headings
  • Comprehensive and evidenced synopsis of scientific evidence for best practices in the transport of paintings and other artworks
  • Advantages and disadvantages of different techniques are identified
  • Fascinating glossary
  • Information derived from a variety of publications of note
  • Use of a pdf format enables
    • easy navigation of the document onscreen
    • searches of the document
Think Again?
  • NOT a “how to send paintings for beginners” document
  • NOT for everybody.  Is it relevant to artists producing low value paintings (relative to art in museums)?  However some tips still relevant - and a useful resource of questions arise (eg case labels in different languages)
  • NOT a quick read.The language may be accessible - but there’s still an awful lot of information.
  • NOT a small document - 6.1MB pdf
Who should buy this?:
  • Those wanting to know about good practices detailed in this book
  • Those transporting valuable paintings to clients and to/from exhibitions
  • Museum conservators
  • Gallery transport technicians
Who should not buy this?
  • Those unconcerned about archival practices and nature of packing required for valuable paintings and other works of art
  • People who don’t work in museums have no need to buy this since its is freely available online
Author / (Publisher) Mervin Richard, Marion F. Mecklenburg and Ross M. Merrill / (National Gallery of Art, Washington)
Available from:
  • no need to buy - it’s available for free from the Smithsonian Institute (click the title).  
  • However if you’d like you'd like your very own personal copy you can try buying from via Amazon where copies are available for between $250-$1,000
Technical data:
  • Copyright © 1991, 1997 National Gallery of Art
  • First edition 1991. Second edition 1997
  • No. of pages
  • Hardcover - pages
  • Paperback pages;
  • ISBN-10 ISBN-13
  • pdf document - 6.1MB file size

The contents include the following.  As you can see this is a technical document rather than a “how to send paintings for beginners” document.  It’s also particularly related to the conservation of very old paintings where the painting may be fragile
  • Assessing Risks
    • Criteria for the Selection of Paintings for Loan
    • Selection Criteria for Frames
    • Selection Criteria for Paintings on Canvas or Paper Mounted on Canvas
    • Additional Issues for Large Paintings on Canvas
    • Selection Criteria for Contemporary Paintings on Canvas
    • Paintings on Wood, Ivory, or Bone
    • Paintings on Metal and Other Nonporous Rigid Supports
  • Transit Climate Conditions
    • Expected Transit Environments in Summer and Winter
  • Temperature Protection
    • Insulating Materials
    • Temperature Half-Time
    • Temperature Half-Times of Packing Cases
  • Relative Humidity Protection
    • Wrapping Materials for Paintings: Polyethylene
    • Wrapping Materials for Paintings: Glassine
    • Wrapping Materials for Paintings: Kraft Paper
    • Wrapping Materials for Paintings: Kraft Paper or Glassine Covered with Polyethylene
    • Wrapping Materials for Paintings: Inner Packing Case
    • General Properties of Silica Gel
    • Use of Silica Gel in Packing Cases for Painting
  • Shock and Vibration Hazards
    • Shock and Vibration Hazards
    • Vibration Fragility of Painting
  • Shock Protection
    • Fragility Factors
    • Probable Drop Heights
    • How to Use a Dynamic Cushioning Curve: Procedure A
    • How to Use a Dynamic Cushioning Curve: Procedure B
    • Optimum Static Loads - Quick Reference Table
    • Load-Bearing Areas
  • Vibration Protection
    • Vibration Control for Canvas Paintings - Backboards
    • Vibration Control for Canvas Paintings - Foam Inserts behind the Painting
    • Vibration Control for Canvas Paintings - Stretcher Lining
  • Packing Cases
    • Case Construction - Structure
    • Handles
    • Skids
    • Chemical Stability of Packing Materials
    • Soft Packing
    • Sample Packing Case No. 1
    • Sample Packing Case No. 2
    • Sample Packing Case No. 3
    • Sample Packing Case No. 4
    • Sample Packing Case No. 5
    • Sample Packing Case No. 6
    • Sample Packing Case No. 7
    • Case Labels - English, French, Spanish, German, Italian
  • Role of the Courier
  • Glossary

1 comment:

Sample Packaging said...

Best information shared on packaging. Really nice and informative stuff shared.

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