Thursday, 17 March 2011

Product Review: Derwent Black Book

Derwent Black Book (A4 size)
Coloured pencils have a reputation for sinking into black paper over time - which is a bit of a nuisance to put it mildly as this can alter the value pattern of any artwork you produce!

Derwent sent me one of their Black Books to review a while ago.  I've been waiting a while to check out the impact of black paper on my coloured pencils. Below you can now read my review.

ProductDerwent Black Book
Summary Review:  This is a black paper sketchbook.  The stiff 200gsm paper is suitable for dry rather than wet media.  I very much liked the surface and it's easy to take an eraser to it without abrading the surface.

In terms of colour, woodless pencils such as my set of Caran d'Ache Neocolour worked better than colours from a range of brands.  Watersoluble pencils are useless on this paper as tints are totally invisible.  Some colours sink into the paper or are distorted due to its colour.  Others appear more muted.

In my opinion, it's a sketchbook which is very suitable for use with colours which retain brightness and saturation on this paper - which not all do (see colour charts).  Having said that it's no worse than any other black paper.  Selective use of certain colours will create images with impact.
Technical Details: The Derwent Black Book is a black paper sketchbook. 
  • Available in 3 popular sizes A3 landscape, A4 portrait and Square (12” or 30.5cms)
  • each one contains 40 sheets of 200gsm black paper (which means it's stiffish)
  • heavy weight paper which does not abrade easily and can take a lot of layers of coloured pencil
  • Derwent states it can be used with water soluble pencils for light washes.  (Which means it's likely to buckle if you do any more than that)
Who should buy this?
  • artists interested in drawing and sketching on black paper
  • people interested in flexing their approach to creating a coloured drawing
Who should not buy this? 
  • those who don't like coloured paper
Highlights:
  • sturdy paper with a very smooth surface
  • accepts coloured pencils and waxneocolour crayons well
  • certain colours pop (while others are suddued)
  • sturdy ring binding - gives the sense of lasting a long while and NOT getting annoying
Think Again?
  • the black paper mutes the colours of ordinary artists' coloured pencils 
  • some colours 'sink' over time (a common problem with black paper)
  • some colours do not display 'true' eg yellow takes on a greenish tinge (true of very many black papers)
  • it's useless for watercolour or dispersing watersoluble coloured pencils/crayons.  Tints disappear.
Manufacturer / Distributor:  Cumberland Pencil Company (product page)
Suppliers: 

  • supplied to me as test item to review;
  • available from Derwent retailers
  • Online Retailers include: Heaton Cooper; Artifolk

Derwent have a small range of sketch books which contain stiffish black paper.  Each sketchbook has 40 sheets of 200gsm black paper, which means it's a weight which makes it similar to thin card.  There are a good range of sizes which offer an opportunity to do larger work.  

I tried it with a range of coloured pencils from different brands and with Caran d'Ache Neocolour.  I had a suspicion they might work better with wax crayons - and they do.

Of the charts below the first one is coloured pencils and the second one is neocolour.  After that there are a couple of sketches made using (1) coloured pencils and (2) neocolor crayons.

Coloured Pencils from various brands
In my view, some of the colours have "sunk" over time.  Others continue to appear muted.  The white (bottom right) is actually a white charcoal pencil.

The next chart is of neocolor crayons which to my mind work a lot better.

Chart of Neocolor II Aquarelle Artists' Crayons
Neocolor II Aquarelle Artists' Crayons have a high pigment concentration and seem to work much better on this paper.  I tried wetting the ends of the colour bars to see how a tint might look - and you can see the results.  You can't see anything!  Basically black paper is not suitable for washes or tints - they simply won't show up!

Now for the sketches to see how the colours work together on the paper.  I would say that working on black paper means adapting to a new way of working where the darks are supplied largely by the paper.

First the sketch with coloured pencils.  As you can see the whites look grey - and I tried several!  hence why I ended up using the whitest white I know which is the White Pastel Pencil.

Hertford Union Canal
Coloured Pencils in Derwent Black Book
copyright Katherine Tyrrell
I wouldn't exhibit this as overall the colours are just too muted - as found with the colour chart.  However note how effective working back into the sketch with an eraser is for picking out the lowlights.

Next a sketch using the necolor crayons.  This I think demonstrates how well the paper works if you go with big shapes, bold colours, a calligraphic way of working - and again work back into it with an eraser to find the darkest darks

Schönbrunn Park (after Klimt)
Caran d'ache Neocolour in Derwent Black Book
copyright Katherine Tyrrell
Overall a book I've been interested to try and one which I will doubtless continue to try in terms of finding what works well with it.

The black paper is very nice - if you accept its limitations.  Expect to see more experiments in the future!

Links:  Watermarks - Schönbrunn Park - after Klimt

2 comments:

Julie Douglas said...

I love your Schonbrunn Park drawing.
Julie D

Katherine Tyrrell said...

Thanks Julie - I enjoyed doing it. It's a great paper for scribbling on!

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