Title: The Art of Impressionism: Painting Technique and the Making of Modernity |
Author: (Publisher): Professor Anthea Callen (Yale University Press Published: 15 November 2000) |
Technical data: ISBN 13: 9780300084023 ISBN 10: 0300084021 |
Physical properties Format: Hardback; Number of pages: 240; Width: 245.00 mm; Height: 310.00 mm; Thickness: 27.00 mm; Weight: 2010.00 g |
Synopsis: This magnificent book is the first full-scale exploration of Impressionist technique. Focusing on the easel-painted work of Monet, Pissarro, Renoir, Cezanne, Cassatt, Morisot, Caillebotte, Sisley, and Degas in the period before 1900, it places their methods and materials in a historical perspective and evaluates their origins, novelty, and meanings within the visual formation of urban modernity. Browse the contents page here and here. |
Who should buy this?: People who like the Impressionists a lot and/or are really interested in how they painted |
Who should not buy this?
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Highlights
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Think Again?
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Summary / Recommendation: I highly recommend The Art of Impressionism: Painting Technique and the Making of Modernity for anybody who, like me, likes the work of Impressionist painters and is also fascinated by the preparation and process behind the making of their art. |
My purpose in posting is to update a post in February 2008 on my Making A Mark blog - The Art of Impressionism and associated painting techniques. Click the link to read my detailed book review - which is summarised above.
The painting on the front cover is part of "Boulevard des Capucines" by Claude Monet painted in 1873.
80.4cm x 60.3 cm
Nelson-Atkins Museum collection
According to Prof. Callen it was painted
on a 'horiziontal landscape no 25' canvas.
80.4cm x 60.3 cm
Nelson-Atkins Museum collection
According to Prof. Callen it was painted
on a 'horiziontal landscape no 25' canvas.
Drawing on scientific studies of pigments and materials, artists’ treatises, colormens’ archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyzes the material constituents of oil painting and the complex processes of “making” entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice, and display. Insisting that the meanings of paintings are constituted by and within the cultural matrices that produced them, Callen argues that the real “modernity” of the Impressionist enterprise lies in the painters’ material practices. Bold brushwork, unpolished, sketchy surfaces, and bright, “primitive” colors were combined with their subject matter—the effects of light, the individual sensation made visible—to establish the modern as visual.UPDATE
This very worthwhile book is now out of print and apparently copies are difficult to locate. Personally I think it is a book which is well worth owning. However if you want to acquire a copy you need to buy it now or you might not be able to buy it at all.
These are the libraries in the UK which have a copy.
If you want to purchase a copy then:
- EITHER you may need to try hunt it down off the Internet - and this may take some time
- OR you could be paying very high prices on the Internet - Amazon for example has book sellers in the US quoting prices from $400-600+. In the UK it was originally priced at £45.
Plus we also need to let publishers know which books need to be reprinted! I'm off to write a note to the Yale University Press!
Note: Many thanks to Caroline Oakley, who's an Adult and Community Learning Tutor, who wrote to let me know that this book is now out of print.
2 comments:
This author also has a much more afordable book "Techniques of the Impressionists" which is a more concise version of the book reviewed.
I got a copy from Amazon UK for one penny plus £2.80 postage !
Sounds like you got a good deal - Amazon UK is currently listing the book you mention for a very great deal more than that
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