Showing posts with label art instruction books. Show all posts
Showing posts with label art instruction books. Show all posts

Friday, 4 October 2013

Book review: One Drawing a Day

This review kicks off the The Big Drawing Book Review 2013 - which I introduced on my main blog Making A Mark.  

It follows on from The Big Drawing Book Review in 2007.  There have been so many new books in the intervening years I thought it was time for another one! You can find out how you too can participate by reading my introduction blog post (see first link above).

It seemed appropriate to start with a book which encourages people to draw.

This then is a review of One Drawing a Day: A 6-Week Course Exploring Creativity with Illustration and Mixed Media by Veronica Lawlor.

The key distinction of this book is that it grew out of a blog created by professional illustrators and art educators which has been more or less posting one drawing a day each month since June 2009.



Synopsis:  This is a structured daily drawing course exploring creativity with illustration and mixed media which allows you to pick and choose the order that you complete the work. The author proposes readers should do 42 daily exercises - one drawing a day - over a period of 6 weeks. Drawing is a euphemism insomuch as in this book it also involves sketching with paint. The focus is on expressionism rather than realism.
Summary review:  This is a book to stimulate those who’d like to improve their drawing and sketching - and to reinvigorate those who know how to draw but need to stay fresh and inspired by what they see and how they draw/sketch/paint. In my opinion, it’s too challenging for beginners but would suit those who like experimenting and want to widen their repertoire of skills and improve their drawing in terms of interpretation and impact. It's both
  • A handy book to have around when your drawing goes stale. 
  • A good book to consult if you want to make progress with your drawing without going to class.
Average customer review
Highlights
  • the structure of the exercises is flexible - it provides a framework but you can choose what you want to do
  • The Exercises:
    • Push the boundaries of conventional art-making for novice artists and those with no formal education in art and illustration
    • Recommend subject matter to focus on and media to use
    • Focus on observation from the real and not drawing from photos
    • Provide quick tips for those skim reading! They contain some very useful information - I learned a few new things!
  • the book advocates a wide range of materials to use for drawing and sketching - including ink and paint washes which both need brushes. Excellent demonstration of different ways you can use a range of art materials - stimulating for those who like mixed media
  • Very nice production values - design and format are contemporary and easy on the eye; quality of reproduction of images is good
  • There are two social media sites associated with this book where you can see the artwork triggered by use of the book
    • this is the blog One Drawing a Day written by the members of an illustration collective called Studio 1482. There are blog posts most days.
    • There is an a Flickr group - One Drawing a Day. Note that some of the people who participate are adult professional artists.
Think Again?
  • Exercises may feel routine to some with a formal art education - on the other hand it’s nice to have a reminder! 
  • If you are apt to take words very literally, you may feel some of the exercises are a major challenge. Try thinking how you can use the intent and vary the subject matter 
  • The sketches are very “sketchy”. The style is fine by me but some people who like drawings to be “realistic” might not like it. I say “Don’t knock it until you’ve tried it!” (NB It took me 10 years to loosen up the way I drew!) 
  • The book lacks variety in terms of different styles of drawing and sketching compared to the variety of sketches seen elsewhere in other books and other projects. Probably connected to the content having been produced by an artists’ collective (Studio 1482). 
  • Those who want to stay home and draw might not like the fact that the book includes exercises which involve getting out and about to draw and sketch 
  • Those who want to stick to one medium which makes them feel comfortable may not appreciate the challenges to their skills and techniques 
Who should buy this?:
  • Artists and illustrators who’d like to keep their drawing regular, fresh and creative 
  • People who like structured exercises to complete to create a discipline of habit 
  • People who like experimentation 
  • People who like trying and using different media and mixing media 
  • People who want to devote more time to sketching and need some ideas to get them going 
  • People who like engaging with related social media sites 
Who should not buy this?
  • Those wanting to learn how to draw - from the very beginning. I don’t think this is a beginners’ book. it assumes a lot of prior knowledge of art materials and that you will “get on and do” on your own. 
  • Those who want to take their time and draw very precisely 
  • People who like to draw using photographs - unless they want to break away from this limited approach to making art
Author: Veronica Lawlor + others (all are professional illustrators and/or art educators)
Publisher: Quarry Books (1 October 2011)
(Note: Studio 1482 artists Greg Betza, Margaret Hurst, and Veronica Lawlor are also featured in the Quarry Books release “The Art of Urban Sketching“) 
Technical data: Publication Date: 2011
Paperback - 128 pages
Available as an ebook? Yes - Kindle version available on Amazon
Also available as an ebook via iTunes for reading on an iPad 

This book will feature on a new website I'm creating.  

This is my main website about drawing books (which is currently being redesigned) The Best Books about Drawing and Sketching 


Monday, 3 June 2013

IKEA Hemnes Bookcases do not sag!

This is an update on my previous posts about the introduction of IKEA Hemnes Bookcases into my home last May.
One year on I continue to highly recommend these bookcases.  They are the most satisfactory purchase I've ever made in terms of quality and cost and housing books.

The bookcases are made of robust wood and have shown absolutely no signs of sagging due to the very heavy weight of my art books during the last 12 months since I got them.

Here's a picture of the top five shelves of a couple of them.  We are talking seriously heavy weight art books.  I stagger just shifting a small pile of them!  As you can see there is absolutely no sagging after a year doing a good job.

Hemnes bookcases do not sag when used for heavyweight art books
It is worth noting that since many of books are oversized I've had to resort to lying them down on their sides so that I am can then make most effective use of the shelves and space available.  It just takes a little longer to get at the one at the bottom of the pile.

I'd rather do it this way than have yet another bookcase so it can look "smarter".  I'm a fan of shelves stuffed full of books and in case would continue to stuff books in them even if I tried being neater/smarter.

All I ask is that I can have a rigorous library categorisation system (I'm nearly there)

Almost a full size view of Bookcase 2
Shelf 1 (top) Botanical Art - Art history on left and instruction on right
Shelf 2: Design and Composition on left and Colour on right
Shelf 3: Coloured Pencils on left and Pastels on right
Shelf 4: Van Gogh and David Hockney - plus misc. small art history books
Shelf 5: Warercolour painting
Shelf 6: Drawing pads, large and small Moleskine and Daler Rowney sketchbooks plus some very big books
You can click the images to see larger images if you'd like to try and read the titles of my books!

Saturday, 21 July 2012

Art Bookshop Review: Foyles (Charing Cross Road)

This is a review of the Art Bookshop area on the second floor within Foyles Flagship book store at 113-117 Charing Cross Road in central London. Below you will find a review including photographs of the bookshop.

Foyles Art Books
about half of the shelving in the art section on the 2nd floor of this bookshop
First a note for those who know the Foyles of old and have not visited for some time.

I first started going to Foyles when I was a student in the 70s when it was ran by Christina Foyle.  It was a complete and utter maze interspersed by book stacks on the floor as well as the shelves.  It had the most books of any bookshop in London but finding them wasn't easy and the process of paying for them was completely antiquated and very slow.  As a result, it's one of the few bookshops that has made it into Wikipedia.
Foyles was once listed in the Guinness Book of Records as the world's largest bookshop in terms of shelf area (30 miles/50 kilometres) and number of titles on display.[1] In the past, it was famed for its anachronistic, eccentric and sometimes infuriating business practices, so much that they made it a tourist attraction.[2]Wikipedia - Foyles Bookshop
However all that was swept away and the shop has enjoyed a complete and comprehensive makeover.  The shelving is now exemplary and shopping for books is a complete pleasure.


RECOMMENDED:  I'd go so far as to say this is probably my bookshop of choice for art books.  The only improvement I can think of would be the addition of a few comfy chairs and a rethink of the location of books on shelves relative to the demographics of its customers!

Name of Art Bookshop: Foyles Bookshop
(Branch) Address: 113-119 Charing Cross Road, London, WC2H 0EB
  • conveniently located for people visiting Oxford Street / Tottenham Court Road / Covent Garden / Leicester Square area. 
  • Two minutes from Tottenham Road Tube station (involves a walk around the CrossRail development between Centre Point and Tottenham Court Road Tube Station
Website:
Shop hours:
  • Monday - Saturday 9.30am - 9.00pm
  • Sundays 11.30am* - 6.00pm (*11.30am - 12.00pm browsing only)
  • Public holidays 11.00am - 8.00pm: Closed on Easter Sunday and Christmas Day
  • Easter Good Friday and Easter Saturday, normal hours apply; Easter Sunday, closed; Easter Monday, 11am - 8pm
Telephone: +44 (0) 20 7437 5660
Email: customerservices@foyles.co.uk
Of interest to:
  • art students (beginners through to Higher Education);
  • amateur artists;
  • professional artists;
  • art lovers;
  • graphic designers; illustrators; typographers
Major section on Art Theory and Aesthetics
Highlights
  • very well laid out with good labelling; 
  • includes a “new books” section specifically for art plus a section on catalogues for current exhibitions
  • absolutely huge section devoted to art history and artists
  • biggest selection of books on art theory that I’ve seen in a long time (this shop is close to a leading art school)
  • good selection of books relating to art instruction targeted at amateur artists
  • very extensive sections devoted to graphics, design, type, illustration and photography
  • a selection of art DVDs - including fictionalised films about artists
  • very wide range of specialist art journals
  • lots of knowledgeable assistants and speedy processing of purchases
  • a very good bookshop for other books as well (the music and history sections kept my other half absorbed for over two hours!)
ART DVDs and Catalogues for Current and Future Art Exhibitions
specialist shelving features not often seen in art bookshops
Think Again?
  • not for those who like their art “dumbed down”
  • you have to be able to bend down to see the art instruction books - Foyles might like to think about the fact that a lot of (less bendy) older people take up art in their retirement
  • a visit could get expensive - because you see so many books you want!
Art Instruction books a little too low for my liking
A bit too low for those whose backs and knees don't bend as well as they used to
Art Instruction: Anatomy for Drawing and Portrait/Figure Drawing section
Summary: This is the bookshop to go for art books if you like a good selection and you enjoy a better quality art book. I’ve got a very good awareness of art books in print and on offer and I was generally very impressed with the books they’d chosen to stock.  This is a very good place to start if looking for books on a particular art topic.

A New Bookshop and a Move for Foyles


Foyles is due to move to a purpose-built bookshop in the adjacent former Central St Martins building in late 2013 or early 2014. They are now actively involved in planning the design of the new bookshop.

Their leasehold for site of this original bookshop is and other adjacent properties are being marketed for a very considerable sum. One can only surmise that this relates to taking advantage of the development of the new Crossrail station and retail hub at Tottenham Court Road

Other art bookshops

You can read other reviews of Art Bookshops in London in the following posts:
Plus good art bookshops in the UK are listed in Art Bookshops - Resources for Artists

Sunday, 5 February 2012

Makingamark's Top Ten Fine Art Books in January 2012

Find out about the the Top Ten Fine Art Books sold in January 2012 - and which new art books were published.  You can see more about:
Below you can find notes about:
  • changes in where I post about the best and newest art books each month
  • changes in the marketplaces for book publishing and book retail
  • changes in the categories of best and top rated books
Changes to postings about my book listings

Over on Making A Mark, I've highlighted the fact I'm planning a new project on that blog which will focus on the production of books by artists or those working in the art field.

As a result I'm switching the regular monthly posts about art books to Making A Mark Reviews - and this is the first.

Changes in the marketplace

The book market continues to change.  It's very evident that it's now absolutely impossible to ignore the power of Amazon which seems to have ambitions way beyond its present set-up.

Morris Rosenthal has been writing the Self-Publishing 2.0 blog since 2005.  He indicates in Marketplace Sellers Provide 2011 Profit For Amazon (3 January) three important conclusions.  I've provided sub-heads for my readers

#1  Who's the biggest bookseller
 Amazon is now the biggest book retailer, both in North America and overseas,
That's partly because a lot of their business is now done via third party book retailers.

#2  What type of book sells most?
on January 2nd, 2012, the top 20,000 paid Kindle eBooks were outselling the top 20,000 paper books by a wide margin
It's no wonder that the book publishers are pricing their ebooks at a level far in excess of what they cost to produce ie with bigger margins to the publishers.  It would be interesting to know if those margins are being shared with the authors - although I suspect not.  My guess is they're mopping up the cost of the bottom falling out of the printed book market.  However there is a sting over which they have no control........

#3  How important are free ebooks?
In the middle of the range for the top 1,000 Kindle books, it appears that free eBooks “outsell” paid eBooks by a ratio of more than 5:1 .
Free is fine so long as it is also good quality.  Free which is dross only serves to downgrade the listings and submerge the better quality books so they never surface in the Amazon listings.

What I need right now are listings that separate out the free ebooks from the paid or very low priced ebooks.  This is possible on Amazon UK but not amazon.com

Changes to the Amazon listings

Amazon.com continues to present challenges with respect to how to make sense of that site's listings.  As I see it there are three problems

Art swamped by music/entertainment:  Changing the category on Amazon.com to include music and entertainment has done art books no favours whatsoever.  A lot of books which gained a good profile by being included in the top 100 art books now have no chance of getting on the list

The Amazon charts favour new books:  Amazon's focus is sales and they obviously think that the emphasis needs to be on new books.  However rankings which favour latest sales are worthless within the context of the bigger picture.  My analysis of the available data in the past suggests that there are some art books which continue to sell well for a very long time - as well as selling much better than new books.  However it's now far more difficult to identify these due to the way books are now listed.

Which I guess makes my listings a bit more important than I anticipated they might become when I started.

Self-publishing:  The Amazon charts are beginning to become swamped by author driven books - which might be good but for the fact that they are of extremely variable quality - and not necessarily written by the author! I cannot over-emphasise how much complete and utter dross now inhabits the listings!

Those that are being priced very cheaply seem to sell well. That doesn't mean to say they're any good or that they will sell well in the longer term. Some are complete rubbish - take a look inside this one. However cheap and free books seem to be successful at submerging books which deserve to do well - but now find it much more difficult to get into the lists. That just spells more and more problems for the traditional printed book produced by the traditional publisher.

New formats: The charts are also being swamped by the production of old books in new formats. There is no new book only a new format.

In general I'm finding that the Amazon.UK listings are lot less adulterated than the Amazon.com listings, plus they enable me to screen out the free Kindle books. I anticipate that my listings for 2012 might well draw more heavily on the UK pages than hitherto. The listings for January 2012 certainly have a more mid-Atlantic flavour.

Best and Top Rated Books

You can see the Top Ten art books in January 2012 in Makingamark's Top 10 Fine Art Books

I've changed the categories of best and top rated books.  For 2012 they will be:
  • Drawing
  • Painting
  • Artists
  • Art History
  • Art business

Drawing:  The major story of January 2012 is the way The Art of Urban Sketching: Drawing On Location Around The World has topped both the drawing and painting charts but since it can only top one in my charts, I've gone for drawing.  It also rides high in art history charts but how it justifies that is beyond me!

Painting: James Gurney's Color and Light: A Guide for the Realist Painter continues to be the top rated painting book.  However finding the best seller (given that the urban sketching book could only be top in one category) proved to be a tad more difficult.  In the end I selected a book which was doing well in charts on both sides of the Atlantic.

Artists: Having changed the categories because I was finding books about an artist were straying into painting and art history, I then find that January is not awash with popular or top rated books about individual artists.  There's many more fantasy artists and photographers getting good ratings compared to books about fine artists.

Art History:  I've retired the Hare.  I can't cope with the idea of yet another variation on this theme.  I am BORED with a very small hare with an amber eye.  Interestingly I think people are now buying it because people have bought it and it's a best seller - because when you look at the "wished for" books it's not quite so high!

The Louvre: All the Paintings now becomes the top rated art book in recent times.  I think however it's a book which is ultimately destined for the shelves of libraries.

Art Business:  This section has been home to a curious turn of events.  A new art business book has stormed the rankings for one month only.  Last month's top rated book now languishes at #78 in the best selling art business books - and there have been no more reviews.  I've been thinking why this might be and the only explanation I can come up with is that the glowing reviews did not translate to sales.  I have to say I'm always very wary of books which suddenly have a vast number of 5 star reviews - it never seems quite real to me - unless the individual has a strong and well known track record.

New Art Books

Check out The Best NEW Art Books in January 2012.

It's getting really difficult picking out good new art books is the main conclusion this month.  It's been getting progressively worse each month but it seems to have gone up a notch this month.  The main problem is wading through the books which I won't include in my listings.

However there are LOTS of new drawing and painting books published in January 2012 - some in ebook format for the first time.

I've also updated for

Friday, 10 December 2010

Book Review: Color and Light by James Gurney

Color and Light by James Gurney
I've studied colour and light over the years and have many books on this topic.  However I've never ever come across a book which tackles this topic in such a comprehensive and authoritative way as James Gurney's new book Color and Light: A Guide for the Realist Painter.

Here's my review of this brilliant new book - which in my honest opinion is set to become a standard for all artists working in the realist tradition.

Title: Color and Light: A Guide for the Realist Painter  by James Gurney
Synopsis:  This is a comprehensive art instruction book about all the important aspects colour and light for students of art and those wishing to improve the quality of their painting in any media. It addresses the FAQs about these topics raised by painters and illustrators. 
Summary review: HIGHLY RECOMMENDED - This is a book for students and improvers and all those who want to know more about colour and how light and colour interact - in life and in a painting.  Practical application of the lessons learned is made possible through a very accessible text coupled with excellent use of images and graphics.  Coverage of this topic is comprehensive.
Highlights
  • comprehensive, informative and stimulating - about every aspect of colour and light relevant to the realist painter
  • James' style is very accessible - succinct and informative and avoids being unnecessarily technical
  • knowledgeable overview of the use of colour and light in different traditions and painting movements
  • he simplifies complex topics.  Enough information is given to enable the reader to grasp the point being made but not so much that it overwhelms the reader
  • useful review of the different types of colour wheel - excellent graphics
  • an excellent and systematic analysis of the properties of pigments (in an appendix)
  • interesting recommended reading list - not one you'll have seen before!
Think Again?
  • Not as technical as those who love the in-depth aspects of colour science might like - however all important aspects are covered in a very accessible fashion
Who should buy this?:
  • artists using every type of media
  • art students needing an excellent primer about colour in every aspect
  • particularly relevant to painters working in the realist tradition
  • those who don't like instruction books which are dumbed down or ignore important areas of knowledge
Who should not buy this?
  • People who like step by step books - because it's not one
  • People who like pointers on "how to mix colours" - because it doesn't do this
Author / (Publisher): James Gurney / Andrews McMeel Publishing LLC
Technical data: Publication Date: 30th November 2010
Paperback -  224 pages;

Let me be very clear on this point.   This book comes very highly recommended by me.  

I've not come across any other book which covers this topic in such breath and depth and makes it accessible as well. 
  • I've got ones which are more technical - but they're much less accessible. 
  • I've got ones which are as accessible - but they don't cover as much as he does
The major plus point about this book is that it is comprehensive and accessible art instruction of a very high order. 
  • It does not attempt to dumb down or omit important aspects of the way in which colour and light function and interact. 
  • It articulates very clearly how you can make choices about how to use different features of colour and light in a painting.
I am so confident about the impact of this book that I am happy to predict that if you buy and study this book your paintings will improve.

You can get an overview of what the book covers by reference to the Table of Contents.

There's so much one could say about this book - one could write a small book!  The table of contents gives you the headings - the summary below is what they actually mean in practice.  Here then are some of the more specific highlights of this book and reasons why it makes a good buy.

This book explains:
  • how outdoor studies of colour and light and plein air painting influence great studio paintings
  • how to look for sources of light in the paintings of others - in order to better understand their impact
  • how colours respond to different types of light - and why red looks good in a painting
Light and form
  • what are the different types of lighting and how it impacts on form
  • what's the best type of lighting for different subject matter
  • how light impacts on colour saturation and detail
  • five general truths about reflected light
  • what are the different types of shadows - and how they behave
  • how to simplify form in the context of the way light hits it
  • how a subject's material and ability to transmit light impacts on colour and light effects
  • how light and shade can add value (and drama!) to design of a composition
Elements of colour
  • the different types of colour wheel
  • the different types of colour
  • the characteristics associated with different types of colour
  • what a chroma value chart looks like
  • how greys and neutral colours can be your best friend
  • tips for handling greens (and reds and pinks!)
  • how tints and gradations are created
Paint and pigments
  • the different - and important - characteristics of pigments
  • how pigments can be charted
  • why painters start from underpaintings in an opaque colour
  • a simpler way of achieving an effective sky gradation
  • how you can create glazes
  • different ways of organising paint on a palette
  • different types of limited palettes
  • how to create mud
Colour relationships
  • the value of monochromatic colour schemes
  • the effect of colour temperature on the viewer
  • what are warm and cool colours and how to use them
  • the different ways of mixing colour
  • how a triadic colour scheme works
  • the value of the colour accent
Premixing
  • how to make a colour string
  • the value of premixing value steps
  • why it's important to leave out colours
  • what's the saturation cost
  • how to create a gamut mask
  • how a colour scheme can have a shape
  • how to create your source colours
  • what pushes you to identify accents
  • why a colour script is useful
Visual perception
  • how tonal and colour information gets processed
  • what can help create a more effective nocturne
  • how edges vary in different lighting conditions
  • why Goethe was wrong
  • how to isolate a spot of colour
  • schemes which describe how colours influence one another
  • colour associations and their impact on our psychology
  • how transmitted light works and what its impact is
  • what subsurface scattering is and how it works
  • the different colour zones if the face
  • how to create convincing hair
  • what a caustic reflection is and how it is generated
  • three rules of specularity
  • the different types of highlights - and how they work
  • how to use photographs more effectively
Atmospheric effects
  • how the color gradations work in a sky
  • the impact of atmospheric perspective on colour
  • what is reverse atmospheric perspective - and how it works
  • why painters prefer to work at dawn and dusk
  • how to paint sunsets from observation
  • techniques for painting rainbows
  • why transparency is important when painting trees
  • how sunbeams and shadowbeams work - and when to use them
  • the shape of dappled light
  • three rules of cloud shadows
  • how the lighting and colour of the foreground influences design and focus
  • why the age of snow makes a difference
  • reflections, refraction and shadows on water - and why they are different
  • how the behaviour of water impacts on colour and light
Now I'd extremely surprised if a lot of this is not entirely unknown to self-taught painters.  Much much may also only be a vague memory to those with fine art degrees - assuming they were ever taught it in the first place!

I first commented on Color and Light in MAKING A MARK: "Color and Light" and Making a Mark.

.......and finally

James Gurney's first art instruction book was published in 2009.  A year ago I published my review of it - see Book Review - Imaginative Realism by James Gurney

Note:  I was sent a review copy of "Color and Light" by James Gurney. 

Sunday, 21 November 2010

Online publishing platforms - the numbers compared

This post focuses on the relative traffic, size and impact and reach of the different online publishing sites.   This is because many artists now like to be able to publish their artwork or sketches in books and some also publish art instruction online. 

Online publishing platforms

I'm focusing on three publishing platforms.  Their own descriptions of themselves are quoted below.
Make your own book with Blurb online. Create photo books, wedding books and more. Design and publish professional quality books to keep, give or sell
Lulu.com brings the world of online book publishing to you. Looking to self-publish? Lulu's print on demand (POD) solutions make it quick and easy. Create a book in minutes, publish with the click of a mouse, distribute, sell and print books to order. It's that simple.
Explore a world of publications by people and publishers alike. Collect, share and publish in a format designed to make your documents look their very best.
Below you can see what the unique monthly visitors are for the different sites when their website URLs are plugged into compete.com - a site which provides comparative site profiles.


Comparison of the USA traffic for three online publishing sites: issuu, lulu and blurb
Compete's data comes from a statistically representative cross-section of 2 million consumers across the United States who have given permission to have their internet clickstream behaviors and opt-in survey responses analyzed anonymously as a new source of marketing research.  compete.com
These stats came as a bit of a surprise to me.
  1. I'm surprised that Lulu is about twice as big as blurb.  I knew it was bigger but not that much bigger
  2. I'm amazed at how just how big Issuu is and will be seriously looking into this as a vehicle for publishing my work in future.  Capturing the corporate audience with repeat readers is obviously an excellent way to grow your business.  It remains to be seen whether it does the same for independent publishers.
Bear in mind that
  • the above are predominantly statistics for an American Audience. 
  • You only really begin to get an appreciation of the global audience for Issuu in the Quantcast pages (see below) - and that's because it's so big.  
  • The US audience for Issuu is only around 25% of its global audience.
This is what each of the sites look like on Quantcast which is one of my favourite analysis sites in terms of a demographic analysis of visitors by sex, age group, earnings and college education status.  It appears to indicate that each of the publishing sites appears to attract the same sort of audience for their services.

Click the link in the title to see the full Quantcast page.

Blurb on Quantcast - ranks 7,096 in USA




Lulu on Quantcast - ranks 2,740 in USA


Issuu on Quantcast - ranks 158 in USA



In conclusion:
  • Issuu is HUGE compared to the other two platforms - but only delivers online publications
  • If you want to have your book or publication about your artwork found online by readers independently of your website or blog then you need to look very seriously at issuu
  • If you want to produce a physical copy of your book for distribution to clients or galleries then you're better off looking at Blurb or Lulu.
This is a very much a first look at these three sites in comparison to one another.  I'll be revisiting them. 

What do you think?

In the meantime if you've got experience of any of the three sites and would like to share your experinces please leave a comment below.

Saturday, 30 October 2010

How to create a Lazy Susan Coloured Pencil Holder

Lesley Crawford's Lazy Susan Coloured Pencil Holder
courtesy of David Crawford, Janie Gildown and Barbara Newton
all photos copyright Lesley Crawford
This post describes yet another way coloured pencil artist Lesley Crawford has found to store her art materials.  Earlier this month this blog has a post about Storage for Unison pastels.  This post is about how to create a "Lazy Susan" pencil holder for coloured pencils.

How many times do we see great ideas for helping us sort out our studio in books?  But do we all put them into practice?

Like many coloured pencil artists, Lesley likes to have all her art materials and storage sorted while working in her studio.  She used to have problems with tins and boxes of coloured pencils all over her desk.  They took up too much space.  Plus she also didn't like the way she had to shuffle through pencils bunched together in jars, especially when the shorties fell to the bottom!

Then she saw the Lazy Susan Pencil Holder - as pictured in the Colored Pencil Solution Book by Janie Gildow and Barbara Benedetti Newton.  She asked her husband David if he could work out how to make the pencil holder from the picture!

This is her explanation of how it came about once David had studied the picture and worked out how to make it.  Thanks to Lesley and David for both the story and the pictures - and thanks to both Janie and Barbara for the inspiration!

Instructions for Making a Lazy Susan Pencil Holder
Here's the instructions for making a pencil holder.  It's very simple to make.

The starting Point - a wooden Lazy Susan

Materials:
  • Lazy Susan (a circle of wood on a small circle of wood joined by ballbearings so that it spins round - available from kitchen shops).  The one we bought is 14 inches in diameter - see right.
  • Timber 35mm x 14mm - from DIY stores, very cheap.  Usually comes in lengths of around 2 metres.
  • Small hinges and screws
Tools:
  • Saw
  • Drill and bit
  • Screwdriver
Instructions for how to make a Lazy Susan Pencil Holder
  1. Cut the timber into 165mm lengths.  (Please note that this is what fitted my lazy susan.  If yours is a different size you need to adjust this measurement)
  2. Choose a drill bit that is slightly larger than the diameter of your pencils.  Put a piece of tape around the bit 30mm from the tip - this will prevent you drilling through the bottom of the wood, and will make all the holes consistently deep.  Drill one hole and check that a pencil will fit, if it is tight then use a slightly larger bit.  Drill a line of holes along the narrow side of the wood, with a slight  space beween each one - I got 14 holes per strip.
  3. Join two pieces together with a hinge as shown
  4. Make as many units of two pieces of wood as you need.   
  5. Sort your pencils out as you want them to be arranged, and write the names  on the wood with indelible ink - ballpoint pen fades over time.
Paired strip joined by hinge - open to show the names of the pencils
Paired strip folded and sitting on top of the Lazy Susan
- and the  Pencil Holder has started (repeat as required)
This then held all my original set of Derwent pencils.  However as my collection increased, it got a bit crowded, so I cut a piece of plywood into a circle of 18 inches in diameter, and screwed four small blocks on it so that it would sit tightly on top of the original lazy susan.

I now have 11 units of paired strips, holding a total of 308 pencils - all in a footprint of 18 square inches.  I have my complete sets of Derwent Artists, Faber Castell Polychromos and Prismacolor Verithins, plus a few odds and ends from other sets.

In the centre is a tub which holds tools, erasers, blenders etc. 

You can keep the whole thing on the desk, or lift off as a unit off to use separately.  The pencils are always in the same order so you soon get to know where they are, and it is easy to put your hand on exactly the one you need.

If you've got a good solution for storage 
or anything which is a cost-effective solution for anything to do with art 
DO let me know by leaving a comment and a link or contacting me (see right hand column). 

Thursday, 17 June 2010

'The Art of Botanical Painting' is being reprinted

I'm extremely pleased to hear that, after a very long delay, Harper Collins have decided to reprint The Art of Botanical Painting.

This book was written by Margaret Stevens, the Immediate Past President of the Society of Botanical Artists, in association with the Society - many of whose artists contributed botanical artwork for the book.  Consequently, it's excellent at showing you the standard of work required to become a member.

Margaret is also the Course Director of the Distance Learning Diploma Course in Botanical Art run by the Society of Botanical Painting - for which this book is a core set text.

It's been very difficult if not impossible to get hold of a brand new copy for quite some time.  Students wishing to do the course have had to buy second hand but even second hand copies are now proving difficult to find.

For those wishing to do the Diploma, I very much recommend that you buy a copy as soon as they become available which I understand will be August.

Applications for the next intake of Diploma students close in mid October.  Placing an order now will give prospective students a very good insight into what's involved before deciding whether to submit an application

For others interested in learning more about botanical painting I highly recommend this book as a standard primer.  You can read more in my Book Review: The Art of Botanical Painting (May 2009)
Summary:  An essential book for all artists contemplating the SBA's Diploma Course. An excellent introduction to botanical art for all experienced artists interested in developing their knowledge of and skills in botanical art
Links to Amazon.co.uk below 


or, if you live in the USA and want to buy via Amazon.com, click The Art of Botanical Painting

Sunday, 9 May 2010

Book review: Botanical Painting with Coloured Pencils

Title:(In the UK) Botanical Painting with Coloured Pencils (In the USA) Botanical Portraits with Colored Pencils

An In-depth Book Review of this book was first published here on 9th May 2010.
The complete text has now been moved to my new website
- see Book Review: Botanical Painting with Coloured Pencils on Botanical Art and Artists


Author: Ann Swan SBA, GM

Synopsis: This is the first comprehensive guide to using coloured pencils for botanical painting. Ann Swan, an RHS Gold medal winner and one of the top UK coloured pencil artists in this genre, provides a guide to how and why coloured pencils are especially suitable for the accuracy required for botanical illustration. Topics covered include: all aspects of working with coloured pencils, including techniques for underpainting, layering and burnishing and several step by step demonstrations of how to develop artwork and mix and build up colour. Also provided are tips on how to complete a work to exhibition/gallery standard. The book also includes a gallery of artwork by the author, her students and other botanical artists also working in coloured pencils

Summary review: This is the first ever book written by an RHS gold medal winning artist to deal in depth with the execution of botanical art in coloured pencils to exhibition standard. It's an invaluable guide to those wanting to develop their skills in using coloured pencils for botanical art. It's also an extremely useful resource for all coloured pencil artists wanting to achieve the very high standards of execution achieved by both Ann Swan and her students.

Note: This book was sent to me to review by the author/publisher

    Thursday, 15 April 2010

    Book Review: Botanical Sketchbook

    Botanical Sketchbook by Mary Ann Scott with Margaret Stevens

    Title: Botanical Sketchbook

    An In-depth Book Review of this book was first published here on 15h April 2010.
    The complete text has now been moved to my new website
    - see Book Review: Botanical Sketchbook on Botanical Art and Artists 


    Synopsis: This book will provide inspiration to all those who aspire to become botanical artists. It is a record of one woman's development into a successful botanical artist. As part of the Distance Learning Diploma Course run by the Society of Botanical Artists, students are required to keep a sketchbook. The one kept by Mary Ann Scott was exceptional and prompted the idea for this book. Her book covers the exercises, colour charts and basic preparatory work for each assignment, plus the three works for her final portfolio.

    Summary review: This book provides a masterclass for all aspiring botanical artists and is highly recommended. It will become an essential buy for all students of the Society of Botanical Artist's Diploma in Botanical illustration. It's also a recommended buy for all other aspiring botanical art students and artists and many of their tutors. It provides an excellent benchmark for the standard of botanical illustration and painting which can be achieved by an exceptional student. It also tells the story of how such excellence can be developed - through much practice and intelligent use of the botanical sketchbook. Read an interview with the author of Botanical Sketchbook - A Making A Mark Interview with Mary Ann Scott

    Tuesday, 13 April 2010

    Book Review: Botany for the Artist



    Title: Botany for the Artist: An Inspirational Guide to Drawing Plants

    An In-depth Book Review of this book was first published here on 13th April 2010. 
    The complete text has now been moved to my new website 
    - see Book Review: Botany for the Artist on Botanical Art and Artists

    Synopsis: The emphasis of this book is on understanding the botany of plants and their different parts - roots, stems, leaves, flowers, fruits, cones and seeds - and how to draw the botanical aspects of plants. Its focus is on finding ways to unpick and illustrate the functionality of the plant - how it's constructed and how it works.

    Summary review: HIGHLY RECOMMENDED. I value the fact this book is written by an artist, writer and lecturer who is an expert in drawing and communicating rather than a botanical artist. It means she brings a fresh and expert eye to the challenge of how to draw plants from a botanical perspective and an excellent approach to communicating the key messages. The quality of the text and illustrations is first class and the whole book provides a fresh perspective on botany for the artist while losing none of the fundamental and enduring truths of what's required of botanical illustration.

    Author / (Publisher) Sarah Simblet / Dorling Kindersley
    Technical data: Publication Date: February 2010
    Hardcover (with dust jacket) - 256 pages; Full retail price £25

    Monday, 25 January 2010

    The Best Books about Landscape Art - A Review

    As part of my new project - The Art of the Landscape - I'm going to be reviewing books about landscape art.
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    You are very welcome to collaborate with this project and also contribute book reviews about landscape art books.

    Subject to the quality and relevance of any book reviews submitted - via a comment to one of the blogs - the book review post and blog will receive a link from one or more websites - as detailed below:
    Please note that spam will not be published.

    One of the most popular art instruction books for landscape artists
    Carlson's Guide to Landscape Painting
    by: John F. Carlson


    Book Review - Two main themes

    This Book Review of Books about Landscape Art has two main themes:
    1. art instruction books - which are targeted at people who want to learn more about how to create landscape art
    2. art history books - which focus more on the development of landscape art and famous landscape artists (past and present)
    Review and rate - things to highlight and do in your book review

    This is intended to be a collaborative project - and you are invited to review your favourite landscape art books.

    You can read about lots of different approaches to reviewing books in my suggested guide to reviewing books which you can find here - How to write a book review

    This is my suggested framework for a very basic system to use when reviewing. Do leave me a comment if you think it can be improved
    If possible, it would be helpful if every review covers the following:

    Review the book
    1. Basics: State basic facts about the book: title, author, publisher; the intended target audience for the book.
    2. Content: Express your opinion about the content and give reasons for your views.
    3. Communication: Say how well the author gets the main messages across. Bottom line - Is it a good read? Did you absorb what s/he had to say?
    4. Presentation: Does it look good / does it feel good / does the binding do a good job?
    5. Value for Money: Is it good value for money?
    6. Overall quality: Would you recommend it? If not, why not? If yes, who would most benefit from reading the book?
    Rate your book!
    Finally, after making it clear who you think the book is aimed at, try and decide whether it rates:
    5 stars - go out and buy this book right now if you have the money. In your opinion, an essential book for anybody seriously interested in drawing and/or learning more about landscape art
    4 stars - a seriously good book about landscape art; definitely one you want to own at some point - maybe one for the Christmas present list if you're broke
    3 stars - good effort but nothing which really distinguishes it from other books. It's just this author's take on the basics. The sort of book which is good while you are reading it but doesn't stick in your memory.
    2 stars - undistinguished in your view. For example: content may be a rerun of previously published books and/or remixed with a new front cover; presentation may not be particularly noteworthy.
    1 stars - buying this book would damage your wallet but is unlikely to enhance either your knowledge, skills or enjoyment. It may also hurt your eyes! (Unfortunately there are a few of these out there - although I'm assuming we've probably weeded through a few of these without buying!)
    At the end of all this we'll have a poll and try and work out which are the very best of the best books about landscape art!

    Please leave a comment and share your views if:
    • you've done a book review. (Please highlight your blog post and the relevant URL below.)
    • You want to also highlight a relevant book review done by somebody else. (Please highlight your blog post and the relevant URL below.)
    • If you've got a view about which is the best book about landscape art
    The Best Books about Landscape Art
    The Best  Books about Landscape Art
    Do you want to learn about landscape art? Do you want to find out which which are the best books about painting landscapes? Do you want to know more about famous landscape artists? This site covers books - and book reviews - for people wanting to learn more about landscape art.

    Sunday, 24 January 2010

    New botanical art books for 2010

    I'm very happy that I'm being sent some new botanical art books to review. It seems as if botanical art is maybe holding its own in the current economic climate after all judging by the number of new publications

    The new publications are set out below


    New Book

    Publication Date
    Cover

    Botany for the Artist: An Inspirational Guide to Drawing Plants

    Due to publish in February 2010 - 256 pages (hardback) published by Dorling Kindersley.
    Author Dr Sarah Simblet teaches at the University of Oxford, has drawings in national and private collections, including the Royal Academy of Art, London and Ashmolean, Oxford and is the author of two excellent drawing books.

    February 2010

    Botanical Sketchbook

    Due to publish in April 2010. This book has been developed from the sketchbook kept by Diploma student Mary Ann Scott. She was awarded a Distinction with her Diploma. My review copy has already arrived and a quick scan suggests it's simply splendid and an absolute must for Diploma students.

    April 2010

    Botanical Portraits with Colored Pencils

    Due to publish in April 2010. The first ever botanical art book written specifically for coloured pencil artists. Author Ann Swan is a member of the Society of Botanical Artists and is the holder of four Gold Medals awarded by the Royal Horticultural Society

    April 2010

    Botanical Drawing in Color: A Basic Guide to Mastering Realistic Form and Naturalistic Color

    Due to be published in July 2010 by Watson Guptill. Wendy Hollender is a member of the American Society of Botanical Artists, the Guild of Natural Science Illustrators,and the Brooklyn Botanic Garden Florilegium Society.

    July 2010

    You can see more botanical art books in The Best Botanical Art Books
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