Thursday, 15 April 2010

Book Review: Botanical Sketchbook

Botanical Sketchbook by Mary Ann Scott with Margaret Stevens

Title: Botanical Sketchbook

An In-depth Book Review of this book was first published here on 15h April 2010.
The complete text has now been moved to my new website
- see Book Review: Botanical Sketchbook on Botanical Art and Artists 


Synopsis: This book will provide inspiration to all those who aspire to become botanical artists. It is a record of one woman's development into a successful botanical artist. As part of the Distance Learning Diploma Course run by the Society of Botanical Artists, students are required to keep a sketchbook. The one kept by Mary Ann Scott was exceptional and prompted the idea for this book. Her book covers the exercises, colour charts and basic preparatory work for each assignment, plus the three works for her final portfolio.

Summary review: This book provides a masterclass for all aspiring botanical artists and is highly recommended. It will become an essential buy for all students of the Society of Botanical Artist's Diploma in Botanical illustration. It's also a recommended buy for all other aspiring botanical art students and artists and many of their tutors. It provides an excellent benchmark for the standard of botanical illustration and painting which can be achieved by an exceptional student. It also tells the story of how such excellence can be developed - through much practice and intelligent use of the botanical sketchbook. Read an interview with the author of Botanical Sketchbook - A Making A Mark Interview with Mary Ann Scott

Tuesday, 13 April 2010

Book Review: Botany for the Artist



Title: Botany for the Artist: An Inspirational Guide to Drawing Plants

An In-depth Book Review of this book was first published here on 13th April 2010. 
The complete text has now been moved to my new website 
- see Book Review: Botany for the Artist on Botanical Art and Artists

Synopsis: The emphasis of this book is on understanding the botany of plants and their different parts - roots, stems, leaves, flowers, fruits, cones and seeds - and how to draw the botanical aspects of plants. Its focus is on finding ways to unpick and illustrate the functionality of the plant - how it's constructed and how it works.

Summary review: HIGHLY RECOMMENDED. I value the fact this book is written by an artist, writer and lecturer who is an expert in drawing and communicating rather than a botanical artist. It means she brings a fresh and expert eye to the challenge of how to draw plants from a botanical perspective and an excellent approach to communicating the key messages. The quality of the text and illustrations is first class and the whole book provides a fresh perspective on botany for the artist while losing none of the fundamental and enduring truths of what's required of botanical illustration.

Author / (Publisher) Sarah Simblet / Dorling Kindersley
Technical data: Publication Date: February 2010
Hardcover (with dust jacket) - 256 pages; Full retail price £25

Saturday, 10 April 2010

The buying habits of fine artists - in the UK


How does your buying behaviour compare to fine artists in UK? Did you know that nearly 75% of artists responding to this poll buy online on a regular basis?

I've been running a poll on my information site Art Supplies in the UK - Resources for Artists since November 2007. The above chart shows you how people buy art materials in the UK. (Click the pic to see a bigger version or visit my information site)

Based on 86 responses - and in order of magnitude - the results are as follows (percentages are rounded):
  • 31% buy most of their art supplied online - spreading their custom around and doing business with reliable suppliers who offer great deals
  • another 31% have no particular preference and buy online and from their local art shop - choosing whoever can serve them better for their particular requirements
  • 26% are happy to do all their business with just one supplier
    • 16% have a great local art shop and are happy to do all their shopping there because it has a great range and good stock levels. Great art shops don't do one or the other - they do both!
    • just over 10% of fine artists are happy to deal with just one online supplier - who fulfills all their needs in a timely way
  • The UK fine artist appears to have little love for B&M art shops which don't offer a good service. Only 10% choose to do all their shopping in the high street despite the fact that some local art shops do not provide a great service.
    • 7% are prepared to shop locally even though the range of goods on offer may be limited and occasional stock-outs.
    • over 3% of people are averse to shopping on the internet and continue to shop locally despite major problems with what's available

The bottom line

When compared to the fine artists in the USA (see The buying habits of fine artists - in the USA), my own conclusions from the above is that
  • UK artists are slightly more likely to buy online than artists in the USA. 73.3% compared to 70% of USA artosts buy online
  • UK artists are discriminating and tend to spend their money with suppliers who deliver a good service. Although artists are happy to buy online, excellent local art shops still have an edge over excellent online suppliers if these are available to artists. I know I always oprefer to handle art supplies if at all possible and am prepared to pay the cost for doing that. However once I know my product well I may well order it online if supplies are available and the delivery service is good. My choice was the buy online and from my local art shop - however I always promote good local art shops.
  • UK artists use websites to shop around between different online suppliers. The message for online suppliers has to be that paying attention to the design and accessibility of their website could well prove to be a cost-effective measure. Anything which makes the information that artists want to know more accessible is likely to get returning buyers. Speaking personally, the websites I tend to look at are the ones which I know have got a good structure which is easy to navigate and good quality information about what is on offer.
If you'd like to take a poll just click this link to go straight to the poll

If you've got any comments - either as a retailer or an artist - do please leave a comment below (and please say which you are).

and finally......

If you'd like to see the inside of some excellent and traditional art shops in London and Paris try a virtual visit to see the slideshows on my information site My Favourite Art Shops - Resources for Artists which has just been awarded a purple star for excellence by Squidoo
My Favourite Art Shops - Resources for Artists
As more and more sales move online, it's crucial that all artists continue to patronise and support our favourite 'bricks and mortar' art shops in our towns and cities. These are where we can find the specialist art materials which can be impossible to find online. This site contains:
(1) reviews of favourite art shops
(2) photographs of what they look inside
(3) details of how to find them.

Tuesday, 6 April 2010

The buying habits of fine artists - in the USA


How does your buying behaviour compare to fine artists in USA? Did you know that
  • 99% of fine artists are willing to buy art supplies online
  • 70% actually do buy online on a regular basis.

I've been running a poll on my information site Art Supplies in the USA - Resources for Artists since November 2007. The above chart shows you how people buy art materials in the USA. (Click the pic to see a bigger version or visit my information site)

Based on 78 responses - and in order of magnitude - the results are as follows (percentages are rounded):
  • one third of fine artists (33%) prefer to go with whichever art materials supplier serves them best - they're neither wedded to their online supplier or their local art materials store. This figure is very similar to that experienced in the UK and suggests that around a third of the market is always going to be looking across the whole art economy of B&M and online art stores for their supplies and deals. These are the people who are going to be sensitive to aspects of online supply such as: ease of finding a product on the website; product pricing and delivery time and charges levied. In relation to the B&M supplier the issues are likely to revolve around whether items required are stocked, price points and urgency of need. In relation to both sets of suppliers artists may bring their custom for a sale but the really critical question is whether they come back and become a regular customer on a routine basis.
  • 24% prefer to shop online and are price and customer service sensitive. They always spread their custom around a range of online suppliers of art materials. Essentially they give their custom to whoever gives them the best overall deal. However all suppliers should note that this level is lower than that experienced in the UK.
  • Artists in the USA are much more tolerant of a poor customer service compared to the UK. 15% buy at the local art shop despite some problems in supply eg even if it has a limited range and occasional stockouts. This is significantly different to behaviour in the UK. I began to wonder whether distance between art shops might have anything to do with this. Some people will not buy online whatever and consequently will buy from a local store even if it's not providing the greatest service....
  • ....however in the USA this only 1% buy at their local art shop because they don't like internet shopping. That says an awful lot about how online shopping for art supplies is now completely rooted in the American mindset as a normal fact of life. It's a message that all B&M retailers need to take to heart - and their business plans.
  • By way of contrast some 14% are very happy to buy at their local art store BECAUSE it has a great range and good stock levels. This level is pretty much the same as experienced in the UK. Local art stores providing an excellent service can only be certain of capturing most of the purchases of around 15% of the the buying power of fine artists who live locally
  • 11% buy all their art supplies from one online supplier who serves all their needs. This is the customer who is like gold dust to online suppliers - a dedicated buyer who keeps coming back!
The bottom line

My own conclusions from the above is that
  • USA artists are more likely to support their local store and less likely to move all their purchasing online based on a parallel but identical poll in relation to UK suppliers
  • neither online supplier nor B&M retailer can be certain of the custom they will continue to attract. Consequently both sets of suppliers of art materials need to be working hard all the time to provide the best service and the best prices they can possibly offer. Artists continue to support their local art shops but 99% are also very willing to buy online if what they want is available at a reasonable price and can deliver when they need it - even if they don't do so right now
The latter conclusion is good news for all fine artists because the good suppliers are going to be working very hard to give you the best deal in terms of product, price and overall service.

If you'd like to take a poll just click this link to go straight to the poll

If you've got any comments - either as a retailer or an artist - do please leave a comment below.

Tomorrow I'll reveal the buying habits of fine artists in the UK!
My Favourite Art Shops - Resources for Artists
As more and more sales move online, it's crucial that all artists continue to patronise and support our favourite 'bricks and mortar' art shops in our towns and cities. These are where we can find the specialist art materials which can be impossible to find online. This site contains:
(1) reviews of favourite art shops
(2) photographs of what they look inside
(3) details of how to find them.

Monday, 5 April 2010

Updating Coloured Pencils

I've been updating my information site Coloured Pencils - Resources for Artists and creating separate modules for all the different manufacturers.

I cannot tell you how tired I got of manufacturers whose websites don't have absolutely basic information for a commercial website - like a page title and a page description set up within the code for the site. How on earth they ever get found on the internet is beyond me - because this is the MOST important information on any web page.

The only manufacturer which distinguished itself was Caran d'Ache which had paid attention to the detail that matters on websites.

Others didn't even have separate pages for the individual product brand names. Websites aren't expensive so this approach to marketing leaves me speechless - so I'm not telling who - but you'll be able to guess when you start to look at the new modules (on for each manufacturer)! ;)

Other information missing includes:
  • colour charts (Derwent gets full marks here for having a link on the individual page for each brand- and it gives their lightfastness assessments)
  • lightfastness ratings - there's a lot of silence on this point! I wonder why...........
The update was prompted by somebody telling me recently that Sanford had eliminated its lightfast range - and lo and behold I find a new website (with a new website address for the product information - which leaves me wondering how many other people have links pointing to a webpage which doesn't exist!) and absolutely no information about where the the 'new' lightfast pencils are or the lightfastness of any the Sanford pencil products. I think the poll on my website might provide part of the explanation.....

It also appears as if the USA is now not getting all the brands of European pencils which are available. They've not been discontinued - you've just not got them!


I am however very impressed with the Prismacolor Digital Color Coordinator which is a really useful innovation on their new website. All you have to do is choose a colour or enter a colour value to view the closest-matching Prismacolor products. If you choose a colour it gives you the CMYK and RGB profiles.

Coloured Pencils - Resources for Artists
Find out about coloured pencils. This leading resource has information for everybody from experienced artists to beginners wanting to learn all they can. Topics include
  • tips and techniques for working with coloured pencils,
  • information about coloured pencil brands and associated products (CHECK OUT the poll - find out which make of artist grade coloured pencils is the favourite.)
  • coloured pencil societies,
  • coloured pencil artists and
  • forums where you can discuss coloured pencil matters with artists working in coloured pencils


Friday, 12 March 2010

Product Review - Round Solid Brass Double-Hole Pencil Sharpener


Product:Round Solid Brass Two Hole Pencil Sharpener aka the Brass Nugget Sharpener

Summary: This is my favourite handheld sharpener. It is well designed, easy to hold, performs double duty and its weight means that it doesn't get lost easily. The compact size also means it fits easily into pencil cases. Replaceable blades mean that it can be used over the long term.
Technical Details: This is a round solid brass precision milled double pencil sharpener with replaceable blades. It accepts pencils up to 7.8 and 11 mm (5/16") diameter
Who should buy this? People who prefer: handheld pencil sharpeners; double pencil sharpeners and/or quality pencil sharpeners
Who should not buy this? People looking for a cheap pencil sharpener
Highlights:
  • brass sharpener with a nice weight - doesn't get lost easily
  • milled round edges make it easy to hold
  • takes two sizes of pencil
  • replaceable blades
  • produces a reliable sharp point (this is the same pencil as featured in yesterday's post where the sharpener failed to achieve a sharp point)
Think Again?
  • It's not cheap, but there again it's not that expensive.
  • not easy to find in retail shops; specialist distributors only
Manufacturer / Distributor: Unknown. It's marked "M + R Germany"
Suppliers:

I'm still not clear who makes this quality sharpener - if anybody has any idea I'd love to know. Do also let me know if there are any stickists as it's an excellent hand held pencil sharpener

I have problems with using hand held pencil sharpeners because of my tenosynovitis in my sharpening hand and yet I seem to be able to use this one without problems. Maybe because it sharpens well first time?

I'm now featuring it in my Art Equipment - Resources for Artists information site - see Handheld Brass Pencil Sharpeners
Art Equipment - Resources for Artists
Art Equipment -  Resources for Artists
This site is for visual artists. It provides links to: items of art equipment and tools recommended ways of putting together toolkits and recommendations for equipment for working in the studio or plein air

Thursday, 11 March 2010

Product review: Derwent Battery Operated Helical Pencil Sharpener


Derwent Battery Operated Helical Pencil Sharpener

Product: Derwent Battery Operated Helical Pencil Sharpener
Summary: I've tried two and neither have worked properly. I've also heard from a fair few fellow pencil artists of various degrees of experience who have also tried this sharpener and also had problems. I'm not happy and I know Derwent is trying to find out why the problems are happening. This is NOT a recommended purchase.
Technical Details:
  • 11cm(w) x 7.5cm(h) x 6.4cm(d)
  • it's not light - it takes 4 AA batteries
Who should buy this? A difficult question. In principal, it has the scope to be an ideal pencil sharpener for those wanting to be able to transport a helical pencil sharpener outside the home or studio (eg to class or into the field). On the other hand it's not that light or compact and the problems with usage suggest it might be better to wait until Derwent have at least got the latter fixed.
Who should not buy this? Anybody wanting a needle sharp point quickly and every time they insert a pencil. The best bet for this is a mains powered helical sharpener.
Highlights:
  • velvet feel black plastic
  • looks neat
  • stable with rubber feet and weight of the batteries
Think Again?
  • hole does not seem to like the larger Derwent pencils
  • very difficult to detect the polarities for the batteries
  • not a particularly lightweight portable sharpener with four AA batteries in place
  • shavings receptacle fits neatly but does not click into place - which always worries me
  • poor track record in terms of ones I've tried. One didn't work and the second couldn't produce a sharp point (see picture below)
  • expensive (recommended retail price is two thirds that of a mains powered heavy duty helical sharpener with thermal cut out!)
Manufacturer / Distributor: Derwent Retail price: £19.99
Suppliers: various eg Artifolk (16.99)

I've held off from reviewing this sharpener for a while as it was new to the market and there seemed to be some teething problems. However I'm continuing to hear about people who are having problems with this sharpener (notably one tutor who got several for a class and then found that 10 out of the 12 were faulty in some way) so I've decided it's about time I did a proper review.

It's not good news.

The first one sent to me for review by Derwent failed to work at all and had to be sent back. I spent ages inserting the batteries, trying them in diffierent configurations, finding a different set of batteries, repeat as before etc etc. It was very frustrating but Derwent were very helpful and sent me another one to review.

The design and practical issues that I noted at the time (quite apart from the fact it didn't work were as follows.
  • Batteries:
    • The batteries required are described as 4 x 1.5V AAsize UM3 batteries. I've never heard of UM3 batteries. Google suggests they are batteries used in the USA. The standard batteries that I use for virtually all my needs are always described as AA LR6 batteries.
    • Design wise, the polarities information relating to inserting the batteries correctly is a lot more difficult to detect than on alternative brands of battery powered sharpeners. You need a very good light to see them on the inside of the battery cabinet (ie black on black in a dark space!). Finally I also found them on the underside of the lid of the battery cabinet - which is not where the leaflet says they are.
    • I gather there has been some suggestion of 'battery-related' problems but I don't know whether this is due to people not using the right batteries, not being able to work out how to get them in correctly or just bad connections I don't know. What I do know is that there are too many different ways of failing to get the batteries to operate properly!
  • Shavings bin: The shavings receptacle didn't give me a lot of confidence that it would stand up to a lot of removal and reinsertion. It's only got one tiny plastic tab (very easy to break) and it doesn't have a nice 'click' when put back in place - which always worries me when there's scope to dump pencil shavings everywhere. Helical pencil shavings are also a total nightmare to clear up due the fact they are so very fine. I really like shavings receptacles which are very easy to pull out and slot back first time every time - and this one didn't. Plus being able to see easily where to slot them back makes the chances of getting it right much more likely. My view was that there's quite a lot of scope for design improvment in this area.
  • Cleaning brush: It comes with a brush for cleaning out the helical blade but I wondered at the time how long it would be before it was lost. I started off keeping it in the shavings receptacle but now can't find it! If it had a gripper (maybe underneath?) which kept it with the sharpener it would be a much more practical idea. However we've all got ready access to brushes for performing the same task so one has to question whether it's really necessary. This is already an expensive sharpener and if I were Derwent I'd be looking for ways of making it more cost competitive.
  • Size and weight - it's nice and neat if used at home. However the only real reason for having a battery powered helical sharpener is to use it out of the home and 4 AA batteries do not make this nice and light to carry around. There must be a way of creating portable battery powered sharpeners which use smaller lighter batteries! It's also more bulky than the Panasonic battery powered helical sharpener I bought from Staples in the USA which I have used as part of my sketching toolkit.
  • Instructions: Text on the instructions is completely unreadable by me even with my reading glasses. It's far too small and fails all accessibility vision tests for people with vision impairment. Lots of recreational artists are rather older and more likely to have impaired vision re reading. I'm in my mid 50s and needed a magnifying glass to read what the instructions said.
In addition, the hole does not seem to like the larger Derwent pencils - a problem which happens often with other sharpeners but one would have thought would not occur with a sharpener that has Derwent's name on it.

The second sharpener Derwent sent me to test worked - but wouldn't produce the very sharp point that I associate with a helical cutting blade. You can see thre results in my comparison test picture. I took two blue Derwent Coloursoft pencils and sharpened the Indigo one in the battery powered sharpener and the Prussian Blue one in the mains powered helical Jakar Electric Pencil Sharpener which I reviewed on Monday. As you can see there's quite a difference in the points achieved. The very sharp point produced by the Jakar is perfectly possible in any helical sharpener - if they work well. This one does not. Below is a picture of a test I did for this review this morning.

Comparison: Helical sharpening two Derwent Coloursoft pencils
(left) Indigo - sharpened using the Derwent battery operated helical pencil sharpener
(right) Prussian Blue - sharpened using Jakar Electric Helical Pencil Sharpener - Model 5151

It proved very difficult to get a decent fine point. When I realised how much time I was spending trying to get a point I realised that it's actually quicker and simpler to use a manual sharpener.

The sad part of this review is that Derwent produce a lot of good quality merchandise and I'm very disappointed to be having to write a review like this. However this time Derwent seem to have commissioned a sharpener which is not performing well for a number of people. I've heard from leading artists and others to the effect that they have given up on this sharpener. It does appear to be working for some people but the sheer fact that so many people have been making adverse comments makes me think it's time for a radical rethink.

What I would say is that Derwent were very pleased to get feedback from me about the sharpener. I told them I'd heard of similar complaints from others but did not 'name names'. So if you've got one of these and you've had problems can I suggest you get in contact with Derwent. I'd recommend using the website enquiries form and addressing your comments to Barbara Murray who is the Technical Manager at The Cumberland Pencil Company at Derwent House in Cumbria.

What I'd like to see

I'd love to have a battery powered helical sharpener easily available in the UK. It's not easy to find them. However I'd like to see Derwent getting their designers to address the following:
  • ideally make it a lot lighter by using batteries which are lighter if that's possible given the load requirements.
  • make it a lot more compact if targeting the portable market. It's bigger and bulkier than alternatives and hence more difficult to pack.
  • convert the batteries required to rechargeable batteries (or suggest rechargeable batteries are used). Using conventional AA LR6 batteries is going to make this sharpener an expensive proposition if this sharpener is used on a regular basis
  • make the polarities for the batteries crystal clear. Black on black is a really bad idea! My bottom line standard for this is that I should never ever have to peer and scratch my head before finding a way of shining light on the subject so I can see which way round they need to go in! Test models with people with poor vision.
  • always make sure that the shavings bin delivers a nice reassuring click when put back in place
  • make all fixing tabs of robust materials
  • make instructions easy to read
For the record my alltime favourite for battery powered helical pencil sharpeners is the Panasonic KP 4A - see my website for comments and picture - it does the same job but is much more compact and hence I've used it a lot while travelling. Whereas I think I'd think twice about taking the Derwent one.
Art Equipment - Resources for Artists
Art Equipment  -  Resources for Artists

This site is for visual artists. It provides links to: items of art equipment and tools recommended ways of putting together toolkits and recommendations for equipment for working in the studio or plein air

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