Studio Product: IKEA ALEX Drawer unit with 9 drawers

This is what the IKEA ALEX Drawer unit with 9 drawers looks like for those reading the comments on my Review: IKEA Alex Drawer Unit for paper storage.  This item has already found a useful place in artists' studios.

ALEX Drawer unit with 9 drawers, white 
UK - Article Number 501.928.22 £81.99
USA - Article Number 501.928.22 $119.00

Specification

It's made in the same way as the Alex Drawer Unit on castors (which I've reviewed) - except it's not mobile.  The dimensions when assembled are

• Width: 36 cm (14.1 inches)
• Depth: 48 cm (18.9 inches)
• Height: 115 cm (45.2 inches)

Looking at it online, here are the pros and cons from my perspective

Pros

• a very useful item for any studio given the size of the drawers.  
• looks ideal for storing pencils, pastels, paints, other media and smaller sizes of paper
• Also has space for all those odds and sods of equipment we have to keep on hand for matting, framing etc.
• small footprint - ideal for studio areas where there are space constraints
• scope to match the Alex Drawer Unit - same depth and same design.

Cons

• deep - deeper than most bookcases (35-40cm) but not as deep as many standard kitchen items (60cm)
• very vertical - which means it will need fixing to the wall to be safe, especially if young children are around 
• no castors and not mobile - which means you need to find a spot and keep it there.

We recommend you secure this furniture to the wall with the enclosed safety strap to prevent it from tipping over. Different wall materials require different types of fasteners. Use fasteners suitable for the walls in your home (not included).IKEA

Review: IKEA Alex Drawer Unit for paper storage

IKEA - Alex Drawer Unit on castors (white) 
Article Number : 401.962.41

This is a review of the IKEA Alex Drawer Unit on Castors - which is my second IKEA purchase as part of the "let's try and store everything better than hitherto" campaign.

I've been storing paper for artwork and works on paper in portfolios for ages and frankly, the number of portfolios was getting very difficult to manage both comfortably and aesthetically!

I have long wanted a plan chest in theory however:

• they mostly tend to be size A0 or A1 and that's much bigger than I want to house and much bigger than I actually need
• if big they become incredibly heavy to move when full - plus you need to start thinking about floor strength!
• they're not that easy to find
• most would look good in an office but less good in a home
• if you do find them, they're very often fairly expensive

Which is why, when I spotted the IKEA Alex Drawer Unit on castors in IKEA, I was so very pleased that at long last it looked like I might have solved the problem of what to do with all that paper.

The bottom line - I was right.  With one caveat - I actually need two!  Here's the review.

• If you want to check paper sizes - take a look at the chart at the end
• If you've created paper storage or reviewed another purchased product providing storage for art paper please leave a comment and a link to your review

Product: IKEA: Alex Drawer Unit on castors (white)

SUMMARY REVIEW: Ease of Assembly: Not overly complicated however you do need 2-3 hours and to be very focused on what you’re doing while assembling it.  Quality / Robustness: It’s particle board not wood. That said it’s good quality and the unit feels robust when finished Functionality: The drawers take large quantities of paper and all move really easily even when full. The castors work well on carpet and the whole unit can be moved easily. This enables the unit to be placed it in front of items you use only occasionally  Value for Money: Very reasonable compared to alternatives - UK Cost £85 plus delivery charge. (USA $119)

Technical Details: size:  Width: 67 cm / 26 3/8 "  Depth: 48 cm/ 18 7/8 "  Height: 66 cm / 26 "  drawers are designed to take paper up to size A2 with space to spare  material:  Basematerial / Drawer front: Particleboard, Acrylic paint, Melamine foil, ABS plastic  Bottom panel: Particleboard, Melamine foil, ABS plastic  Back panel: Particleboard, Melamine foil, Melamine foil  Drawer back / Drawer side: Particleboard, Foil  Drawer bottom: Fibreboard, Acrylic paint colours: available in white and blackweight: 32.4 kg weight: 32.4kg

Who should buy this? artists who work on paper  artists wanting to increase their flat storage capacity for paper, mountboard and completed artwork  pencil artists needing a neat storage solution for the home

Who should not buy this? people wanting flat storage for whole sheets of watercolour paper and mountboard

Highlights: large capacity  draw width enables storage of smaller paper/works in two stacks side by side  drawer mechanism makes drawers run very smoothy  castors make it easy to move around  visual instructions are very helpful - and you can download the Alex Unit instructions before you buy  easy to make up - one person can do it - but you do need to concentrate during assembly. It took me about 3 hours working slowly and carefully (I only made one mistake and that was easy to undo!)

Think Again? if you want to store full size sheets of watercolour paper or mountboard you’ll need something bigger  if you’re not good at using a screwdriver or DIY find a relative or friend who is - and be nice to them!  The USA version indicates the drawers are designed for letter size papers. They are in fact much bigger than this - see paper sizes chart at end

Manufacturer / Distributor: IKEA - their website http://www.ikea.com/ helps you find a store near you.  Plus you can order online (but will need to pay a delivery charge)

Suppliers: only available new from IKEA

A series paper sizes compared to Letter and Legal Sizes

Book Review: A Yorkshire Sketchbook by David Hockney

Title: David Hockney - A Yorkshire Sketchbook

Synopsis: A facsimile 92 page sketchbook used by David Hockney in 2004 when sketching the the East Yorkshire Wolds.  It contains sketches of the Yorkshire Wolds and Bridlington in watercolour, ink and pencil - and no words.

Summary review and recommendation: This is a sketchbook which dates from the beginning of Hockney’s reconnection to Yorkshire and painting.  Those who sketch and who like Hockney’s work will love it.  Those who have never ever sketched will be very puzzled by it and may even call it a complete waste of money - but they will have missed the point. I RECOMMEND this book for those who enjoy facsimile sketchbooks.

Highlights It starts at the beginning of the sketchbook (publishers details etc are relegated to the last page) It feels as if Hockney has handed you his sketchbook It illustrates the motifs which interested him as he began to paint Yorkshire again Take off the dustcover and the hardback cover is just like a black sketchbook used by many in the UK

Think Again? Those expecting an art instruction book will be severely disappointed The publisher’s description does not indicate at all clearly that this is a facsimile sketchbook (ie all images and no words) This may become a DVD (but I doubt it)

Who should buy this?: People who love Hockney’s work People who love facsimile sketchbooks People who carry a sketchbook everywhere they go People who want to learn more about sketching and want to see what a real sketchbook looks like

Who should not buy this? People who don’t sketch and don’t understand the nature of sketching and what a sketchbook actually looks like People who expect words rather than sketches in a facsimile sketchbook

Author / (Publisher) David Hockney / Royal Academy of Arts, London

Technical data: Publication Date (December 2011 hardback) Hardcover - 92 pages in conventional small landscape sketchbook format (21.2 x 15.4 x 1.8 cm) ISBN-10: 1907533230 ISBN-13: 978-1907533235 The full price version is not cheap! It’s much better value on Amazon which is where I ordered it. Amazon UK: A Yorkshire Sketchbook Amazon USA: David Hockney: A Yorkshire Sketchbook

Those of us who sketch know the joy of looking at one another’s sketchbooks. Having this book in my hand feels rather as if Hockney has just handed me his sketchbook! 

I own the DVD of his sketchbooks and consequently knew exactly what to expect in terms of content and drawing style. However I do think the publishers should review the publicity profile and the description of this book on the Internet. Nowhere does it indicate clearly that this is a complete facsimile of a sketchbook used by Hockney in 2004.

In summary:

• Sketchers who like Hockney's drawings and paintings will love this book. 
• Fans of Hockney's work will like this book 
• Those who have never sketched may well struggle to really appreciate it

Art in Transit: Handbook for Packing and Transporting Paintings

Art in Transit: Handbook for Packing and Transporting Paintings by Mervin Richard
Marion F. Mecklenburg and Ross M. Merrill is available for free from the Smithsoninian Institute.

Art in Transit: Handbook for Packing and Transporting Paintings by Mervin Richard

Marion F. Mecklenburg and Ross M. Merrill is available for free from the Smithsonian Institute.

Title:  Art in Transit: Handbook for Packing and Transporting Paintings

Synopsis: This technically detailed Handbook focuses on different approaches and procedures that will enable museum specialists (packers, registrars, curators, and conservators) to effectively use the results of the research of specialists in the field.  It includes tips and techniques also of relevance to those transporting high value artwork.

Summary review:  If you’ve ever wanted a comprehensive document telling you what to do when packing and transporting artwork, this is a good place to start. Although written for art galleries and museums, there’s a lot of information which will also assist the professional artist who is transporting valuable paintings.  Other artists will also find useful information in this large and comprehensive handbook.

Highlights Accessible: written in the language of lay people rather than art technologists / historians bullet points unpack the processes into easy stages key terms are highlighted in bold lots of useful sub-headings Comprehensive and evidenced synopsis of scientific evidence for best practices in the transport of paintings and other artworks Advantages and disadvantages of different techniques are identified Fascinating glossary Information derived from a variety of publications of note Use of a pdf format enables easy navigation of the document onscreen searches of the document

Think Again? NOT a “how to send paintings for beginners” document NOT for everybody.  Is it relevant to artists producing low value paintings (relative to art in museums)?  However some tips still relevant - and a useful resource of questions arise (eg case labels in different languages) NOT a quick read.The language may be accessible - but there’s still an awful lot of information. NOT a small document - 6.1MB pdf

Who should buy this?: Those wanting to know about good practices detailed in this book Those transporting valuable paintings to clients and to/from exhibitions Museum conservators Gallery transport technicians

Who should not buy this? Those unconcerned about archival practices and nature of packing required for valuable paintings and other works of art People who don’t work in museums have no need to buy this since its is freely available online

Author / (Publisher) Mervin Richard, Marion F. Mecklenburg and Ross M. Merrill / (National Gallery of Art, Washington)

Available from: no need to buy - it’s available for free from the Smithsonian Institute (click the title).   However if you’d like you'd like your very own personal copy you can try buying from via Amazon where copies are available for between $250-$1,000

Technical data: Copyright © 1991, 1997 National Gallery of Art First edition 1991. Second edition 1997 No. of pages Hardcover - pages Paperback pages; ISBN-10 ISBN-13 pdf document - 6.1MB file size

The contents include the following.  As you can see this is a technical document rather than a “how to send paintings for beginners” document.  It’s also particularly related to the conservation of very old paintings where the painting may be fragile

• Assessing Risks
• Criteria for the Selection of Paintings for Loan
• Selection Criteria for Frames
• Selection Criteria for Paintings on Canvas or Paper Mounted on Canvas
• Additional Issues for Large Paintings on Canvas
• Selection Criteria for Contemporary Paintings on Canvas
• Paintings on Wood, Ivory, or Bone
• Paintings on Metal and Other Nonporous Rigid Supports
• Transit Climate Conditions
• Expected Transit Environments in Summer and Winter
• Temperature Protection
• Insulating Materials
• Temperature Half-Time
• Temperature Half-Times of Packing Cases
• Relative Humidity Protection
• Wrapping Materials for Paintings: Polyethylene
• Wrapping Materials for Paintings: Glassine
• Wrapping Materials for Paintings: Kraft Paper
• Wrapping Materials for Paintings: Kraft Paper or Glassine Covered with Polyethylene
• Wrapping Materials for Paintings: Inner Packing Case
• General Properties of Silica Gel
• Use of Silica Gel in Packing Cases for Painting
• Shock and Vibration Hazards
• Shock and Vibration Hazards
• Vibration Fragility of Painting
• Shock Protection
• Fragility Factors
• Probable Drop Heights
• How to Use a Dynamic Cushioning Curve: Procedure A
• How to Use a Dynamic Cushioning Curve: Procedure B
• Optimum Static Loads - Quick Reference Table
• Load-Bearing Areas
• Vibration Protection
• Vibration Control for Canvas Paintings - Backboards
• Vibration Control for Canvas Paintings - Foam Inserts behind the Painting
• Vibration Control for Canvas Paintings - Stretcher Lining
• Packing Cases
• Case Construction - Structure
• Handles
• Skids
• Chemical Stability of Packing Materials
• Soft Packing
• Sample Packing Case No. 1
• Sample Packing Case No. 2
• Sample Packing Case No. 3
• Sample Packing Case No. 4
• Sample Packing Case No. 5
• Sample Packing Case No. 6
• Sample Packing Case No. 7
• Case Labels - English, French, Spanish, German, Italian
• Role of the Courier
• Glossary

Hemnes Bookcases - after the carpentry!

Three IKEA Hemnes Bookcases - after the carpentry and bolting to the wall
my two pastel Artbins are demonstrating they can now stack/fit underneath!

This is the third in my saga about developing the ultimate solution for "The Art Library".  I decided in the end to have three of IKEA's Hemnes 90cm wide bookcase  on a different wall and one in another room.  The above is a picture of the three after a day's carpentry.  This was required because:

• there is no way you should fill these bookcases full of books without fastening them to the wall.  As recommended by IKEA, they need to fastened securely to the wall.
• my home was built in 1848 and has walls and floors which lean and lacks right angles which are 90 degrees

In the end we fixed on having a batten fixed to the studs in the lathe and plaster wall and then fixing the bookcases to the batten.  Sounds easy but the nature of the wall meant it wasn't quite so simple

Anthea, my carpenter, then also had to make the adjustments for the floor.  Over the years the joists have sagged which means that the right hand edge of the bookcase sits on the carpet while the left hand edge sits on a 3/4" block of wood - with the two uprights in the middle on gradated wood blocks inbetween.  It's still useful to have the adjustable feet for when I move - and they were very simple to operate even if we didn't put them to the ultimate test in the end!

The good news is that after all the adjustments, the three Hemnes bookcases all fitted together perfectly with no gaps.

The extra height on the left between the carpet and bookcase has also provided an ideal space for my two pastel artbin boxes which are an awkward size and shape for normal storage!

They are also completely rigid and there's no chance of them toppling when pulling out a heavy art book from amongst lots of other heavy books.  These IKEA bookcases still feel very solid and reliable for containing all my heavy art books.  Each shelf can take a load of up to a maximum of 30 kg of books.

Below is a photo taken about half way through the massive exercise of bringing all the art books back.  I'm still finishing the organisation of the third bookcase and will take another 'annotated' photo when done.

Three IKEA Hemnes Bookcases - half full of the Art Library

Bonus #1 - depending on how you look at it - is that my cat Cosmo can now jump from his usual perch on top of the door to a brand new high level run from where he can observe everything that's going on.  It also provides a launch pad for jumping down on our heads if we sit on the sofa now placed up against the bookcases!

Bonus #2 is I think I managed to lose two pounds while hefting heavy art books around the room three times!

The first two posts in this series about my quest for the ultimate solution for 'The Art Library' are:

• Hemnes Bookcase x 4 for "The Art Library" #1
• Hemnes Bookcase x 4 for "The Art Library" #2 - RESULT!

Hemnes Bookcase x 4 for "The Art Library" #2 - RESULT!

This is my review of the Hemnes 90cm wide bookcase by IKEA - bought for my ever increasing library of art books.  In this review, I'm focusing on:

• quality of the bookcase, 
• ease of construction
• whether the art books fit!

This post follows on from Hemnes Bookcase x 4 for "The Art Library" #1 which shows you what the bookcase looks like without any books.

Below you can see the top half of the first of my four new Hemnes Bookcases from IKEA. Three are still in their cardboard packaging and will be erected one at a time over the course of the next week.

IKEA Hemnes Bookcase loaded with art books and sketchbooks
Three more to construct - was it easy?  Yes!
click the image to see a larger image

Summary recommendation

If you've got an extensive library of art books like me, then you also need bookcases.  If you're planning to move and/or prefer non-built in bookcases, I highly recommend the IKEA Hemnes Bookcase on the basis of my experience to date.

For the reasons why see below.

Hemnes Bookcase x 4 for "The Art Library" #1

I've lost count of how many art books I have.  I just know I ran out of bookcase space a very long time ago.  I've also now run out of stacking space on every spare bit of floor and flat space.

The thing is stacks fall over.  Plus I always want the book at the bottom of the stack.  It gets very tedious.

So the stacks have to go and so this week I invested in four new bookcases.  I'm hoping it will be  enough!

The bookcases I've bought are the Hemnes 90cm wide bookcase by IKEA.

Hemnes Bookcase - white
(Width: 90 cm; Depth: 37 cm; Height: 197 cm
Max. load/shelf: 30 kg

I had originally toyed with building a giant bookcase right across one wall - but this seemed a bit pointless given the plan is to move.

The idea is that these painted pine bookcases will give me the most flexible options for the future - and with adjustable legs they give me the best option re 170 year old floorboards right now!

This is the pre-assembly blog post.  I'm calm - I have a plan of action - and "he who must not be bored while I sketch" is going to help me put them together.

If it all goes to plan we should have two assembled, in the right place (after quite a lot of furniture manoeuvring) and full of books by the end of tomorrow.  Then it's on to the next two - after a short breather while I write a review of how easy they were to assemble.

[UPDATE:  See Hemnes Bookcase x 4 for "The Art Library" #2 - RESULT! for what happened next ]

PS  I also bought an Alex storage drawer unit for my art paper.  Just trying to work out at the moment whether I've bought the one on castors as intended!